Job listing courtesy of the Tucson/Pima County Arts Commission
a 501(c)(3) nonprofit private foundation headquartered in Tucson (AZ) and serving the greater Tucson area, seeks an experienced executive who has demonstrated commitment to youth voice and innovation, and is a dynamic, motivated, and visionary leader with strong administrative, organizational, communication, community networking, advocacy, and team-building skills. Complete position description can be viewed at www.everyvoicefoundation.org . To apply, submit (e-mail only) a cover letter, addressing the position description and major qualifications, and current resume, including the names and contact information for three references (references will be contacted for finalists only), by 08/01/08 to: searchcommittee@everyvoicefoundation.org
Press Release courtesy of the Tucson/Pima County Arts Commission
The American Folklife Center (AFC) at the Library of Congress announces a new pilot program that will train members of indigenous communities to document their own cultural traditions, archive this heritage for future generations, and undertake the task of protecting their intellectual property rights to these recordings and the traditions they document. The project is collaboration among the AFC, the Center for Documentary Studies (CDS) at Duke University in North Carolina, and the World Intellectual Property Organization (WIPO) based in Geneva, Switzerland. http://www.loc.gov/today/pr/2008/08-095.html
Press Release courtesy of the Tucson/Pima County Arts Commission
American Masterpieces: Three Centuries of Artistic Genius is a major initiative to acquaint Americans with the best of their cultural and artistic legacy. Through American Masterpieces, the National Endowment for the Arts sponsors performances, exhibitions, tours, and educational programs across different art forms that reach large and small communities in all 50 states. This year, awards will be offered in four areas: Chamber Music, Dance, Presenting and Visual Arts Touring. Deadlines are different for each area – but all are September or November. For further details see http://www.arts.gov/national/masterpieces/index.html
National Endowment for the Humanities: Interpreting America’s Historic Places -
Deadline August 27
As part of the NEH’s We the People program, Interpreting America’s Historic Places grants support public humanities projects that exploit the evocative power of historic places to address themes and issues central to American history and culture, including those that advance knowledge of how the founding principles of the United States have shaped American history and culture for more than two hundred years. For more information visit: http://www.neh.gov/grants/guidelines/IAHP_Planning.html or contact NEH’s Division of Public Programs at 202-606-8269 or email: publicpgms@neh.gov.
Fantastic Public Art! Press Release courtesy of the Tucson/Pima County Arts Commission
“The New York City Waterfalls” is one of the largest works of art, public or otherwise, of our modern era. (Let’s not get in a shouting match with ancient civilizations, where autocratic rule made all sorts of things possible.) The piece is an heir to the monumental site-specific artworks whose most spectacular examples were made (and in some cases still are being made) in the distant reaches of the Nevada and Utah deserts starting in the late 1960s and the ’70s by earth artists like Robert Smithson, Walter De Maria, James Turrell and Michael Heizer. Ever since, younger, less isolationist artists have figured out ways to do something similar in the urban environment, within reach of a large public. In this they have followed the example of Christo and Jeanne-Claude, whose 2005 work “Gates” ostentatiously swathed Central Park in orange. The four waterfalls together form a mammoth work of shoreline land art called “The New York City Waterfalls.” It is the brainchild of the Danish-Icelandic artist Olafur Eliasson working with the tireless Public Art Fund and a host of public and private organizations and donors. Between 90 and a 120 feet high and up to 80 feet across, they cascade into the East River from four dense, plumbed scaffolding structures on or just off the coasts of Manhattan, Brooklyn and Governors Island, making some of New York’s most thrilling waterside vistas more so.
http://www.nytimes.com/2008/06/27/arts/design/27wate.html?ex=1215230400&en=91e37a999e7f8ffc&ei=5070&emc=eta1
The following are pictures that I took of the steam train as it sat on the tracks near our house.








These ladies looked like they were waiting for the train to leave the station as they would have years ago.
This engine is not quite as old as the steam engine that led the train but we suspected that it may have been along to provide some extra power for the Empress.
This is the back of our yard/house (our house is on the left with the black roof). This picture was taken as we walked across the baseball diamond between our yard and where the train was parked. The view of Mt. Cheam was breathtaking on Wednesday night.Then on a Sunday afternoon in the summer time we children would go out to play with other children who lived locally but in the wintertime the whole family would all tuck up in the living room and watch the Sunday afternoon film on the television - The Dambusters, Genevieve and 633 Squadron spring to mind. One of the shops in our village opened on a Sunday morning to sell the Sunday papers and very occasionally we would have a walk up and bring back a chocolate bar for each of us to eat after lunch while watching the film, mars bar, milky way or Fry's turkish delight. I have vivid memories of walking with my mum up the lane to the shop on a windy wintry day - my mum always loves windy weather - she finds it totally envigorating, and I think I take after her because I like nothing better than a blustery walk to blow away the cobwebs.
Then tea on a Sunday would always be boiled eggs with bread and butter soldiers - not toast as I prefer now and thus always make for my children, but white sliced bread sandwiched with best butter and cut into strips for easy dipping - no matter how tight money was in our house my mum always, always bought proper butter as I think her upbringing, which bordered on real poverty, meant that margarine had always been the order of the day.
After those boiled eggs - one each but two for Dad - we'd have tinned fruit topped with evaporated milk - Carnation. Usually it was peaches or pears but very occasionally she would push the boat out and buy fruit cocktail and my sister and I would fight over the solitary cherry!
If we were really lucky the icecream van would call round just at the right time, immediately before tea, and mum would head out with a bowl and get him to put five scoops in it to store in the fridge for a short while and have instead of the Carnation - most houses didn't have a freezer, in fact there were many in the 60s who didn't even have a fridge so ice cream was a real treat only indulged in on high days and holidays and on those days that the timing was right for the chimes in the distance.
Last week after our beach visit and pub Sunday lunch I decided boiled eggs were the order of the day for tea.
So here we are - with the toast soldiers in the background just ready for dipping. But you can tell my children don't have this wondeful 'nursery food' kind of meal often because the two youngest still haven't mastered the age old art of getting into them! Now then, are you a tapper or a cutter? My father is a past-master at slicing the top off his egg with a knife, I always followed my mum and I use the more gentile tapping approach myself.
My kids are so much luckier in some ways than we were back then - everything is more affluent and last weekend they had strawberries, freshly picked and accompanied by vanilla ice cream from our freezer to follow the eggs, rather than squabbling over that lone cherry.
Next weekend is the turn of my parents for a Golden Wedding celebration - we will head off up to Ambleside in the Lake District to join my sister, her partner and her teenage son. My brother and his wife and baby son will bring up my parents and we'll all spend the weekend together. Sadly my niece, who doesn't really get on at all well with her mother, has declined the invitation and this has taken the edge of things a bit for me but I guess it will be her loss most of all.
Hopefully by spreading the celebrations over a whole weekend in a very relaxed informal manner, letting my parents' health dictate the pace, it will be less of a strain for my father who struggles with 'do's' and of course they will get to enjoy time with five of their six grandchildren which will just make my mum's year, never mind her weekend. Thinking of all this has, I suppose, made me remember how it was when I was a child - hence the reminiscing about boiled eggs!
Sarah has been at home all week chilling after her exams - next door's cat has taken full advantage of a bit of quiet attention and often kept her company on the computer!
The house is so quiet this weekend as the two youngest are away at District Scout Camp up on Exmoor. As Louise is the only girl in the troop and not allowed to either sleep alone, or with the boys or the leaders, Daddy has had to accompany them as a sleeping chaperone for her.
However as a scout of long standing, man and boy, this is not much hardship to him and he will probably be more of a clown than any of the kids. They have watersports on the programme and the three of them headed off early yesterday evening with their wetsuits and loads of enthusiasm.
With the house population reduced from five to two and Sarah babysitting last night and working this afternoon it has been very quiet - rather strange and I did feel I was rattling round like the proverbial pea in a drum last night.
We plan to have a girlie night tonight with the cinema followed by a chinese buffet meal - well why should the other three have all the fun?
I have had some lovely post this morning.
Some lovely soft pastel coloured felts I bought on ebay - you often only see bright primary shades and so I thought this would come in useful for something a little more subtle - I just have to hide it from a certain absent, blonde, small girl to stop her purloining it.
Also in the post something much more exciting.
My mini quilt from Lucy Locket..............
and it's a real beauty - understated and elegant - thank you Lucy I just love it!!!
As for my own stitching I've been quite busy this week.
From a batik New York Beauty block........... for Kate's Birthday Block Swap which needs to go out in July - ahead of myself there. This is the first time I've ever attempted this kind of thing and those curved seams were a real b*gg%r! I even drafted the pattern myself - with more than a little encouragement from Kate I might add :o)
............. to something a bit more homespun and ever so slightly 'prim'
I've always liked four block quilts - so dreamt up this. Lots of plaids and shirtings - Sarah's not keen on it, thinks it's far too busy, but I rather like it.
Three blocks done - one to go and then lots of HSTs to make the sawtooth sashings between and around them.
That's what I'll be doing this afternoon while Sarah's at work.
I have fine, straight, brown (well, it used to be brown) hair. I would have given an arm and a leg to have hair like this. How did my child end up with thick, curly, blonde hair? (I blame his dad, who had flaming red hair as a child)
This is a picture of the tote from the cover of the "Charm Party Tote" pattern. I have 4 Moda charm packs--two from their "A Little Romance" line and two from their "Sonnet" line. 
This is what it looks like with the binding folded back up:
I took these two photos at the same time. I don't know why the colours are so different. I'm such a total klutz at photos. The second photo is more true to life colour.
Today is National Take Your Dog to Work Day, so I thought I would post a photo of Zeke visiting me in the studio. Of course, Zeke is with me every day in the studio, but today he gets his picture posted on here. His usual spot in the studio is curled up sleeping under this work table.
Urban Landscapes #2Photo Technician - The University of Arizona School of Art - July 15
is seeking an Appointed Professional with skill and experience in both wet and digital photography and in organization and management. This position will assist in the operation, supervision and maintenance of facilities, equipment, supplies and instructional support in the Photography Division. Applications are only accepted through the University of Arizona Human Resources website. Application review begins July 15, 2008. Please visit http://www.uacareertrack.com and apply for job #40972. Be prepared to electronically attach a resume and letter of interest.
Library of Congress Announces Pilot Training Program for Indigenous Communities
The American Folklife Center (AFC) at the Library of Congress announces a new pilot program that will train members of indigenous communities to document their own cultural traditions, archive this heritage for future generations, and undertake the task of protecting their intellectual property rights to these recordings and the traditions they document. The project is a collaboration among the AFC, the Center for Documentary Studies (CDS) at Duke University in North Carolina, and the World Intellectual Property Organization (WIPO) based in Geneva, Switzerland. http://www.loc.gov/today/pr/2008/08-095.html
Job opps:
American Masterpieces: Three Centuries of Artistic Genius is a major initiative to acquaint Americans with the best of their cultural and artistic legacy. Through American Masterpieces, the National Endowment for the Arts sponsors performances, exhibitions, tours, and educational programs across different art forms that reach large and small communities in all 50 states. This year, awards will be offered in four areas: Chamber Music, Dance, Presenting and Visual Arts Touring. Deadlines are different for each area – but all are September or November. For further details see http://www.arts.gov/national/masterpieces/index.html
Call to Artists - deadline September 30
Open to all artists living in Arizona, California Colorado, Nevada, New Mexico and Utah. For the exhibition of the Art of Democracy posters we will be show original print posters, e.g. screen prints or other traditional printmaking. Submit unframed and the Union Gallery will mount in a uniform way. These posters will not be returned. and/or for the Political Art original prints is the primary focus, but we will also accept a variety of work in different media as well. For artists exhibiting original work (who will want it returned) we will need to have an exhibition application. Download it here or at the website http://www.union.arizona.edu/csil/gallery/exhibiting.php deadline September 30. Artists who would like to submit are encouraged to contact Holly Brown at brownhb@email.arizona.edu or at the gallery, 520-621-6142.
Interpreting America’s Historic Places - Deadline August 27th
As part of the NEH’s We the People program, Interpreting America’s Historic Places grants support public humanities projects that exploit the evocative power of historic places to address themes and issues central to American history and culture, including those that advance knowledge of how the founding principles of the United States have shaped American history and culture for more than two hundred years. For more information visit:http://www.neh.gov/grants/guidelines/IAHP_Planning.html Or contact NEH’s Division of Public Programs at 202-606-8269 or email: publicpgms@neh.gov.
Application deadline - August 15
The City of Casa Grande Arts & Humanities Commission seeking an artist or artist team interested in designing, constructing, and installing a memorial for fallen city employees. The location of the installation will be in a tuff/open area, located at 204 N. Hermosilla, Casa Grande, Arizona, and is approximately .25 acre. A site visit is highly encouraged. The budget for this project is $25,000.00. The deadline for submitting an application is August 15, 2008. Application guidelines and design information can be found at www.casagrandeaz.gov. or by calling the City Clerk Office at 520-421-8600.
July 30-August 2
Will present workshops, fiesta & concerts at The University of Arizona School of Music & the UA Centennial Hall July 30-August 2, 2008. Music & Dance Workshops will be hosted at The University of Arizona School of Music: Flamenco, Salsa, Hip Hop, Folklorico, Mariachi, Tejano, Guitar Trio, Classical Flamenco Guitar, Zumba and Voice. This year’s mariachi workshops will be directed by Jose Hernandez from Mariachi Sol De Mexico. VIVA FIESTA will be held in front of UA Centennial Hall on Saturday, August 2 from 3pm to 6pm. The AHS will conduct a Storycorps program at the fiesta, modeled on National Public Radio’s oral history project of that name, where the attendees can reminisce about how music and dance has influenced them in their everyday lives. Authentic Mexican and Spanish food and drink will also be available at the Fiesta.“VIVA ARIZONA!” 100 Years of Hispanic Musical Memories CONCERT at the University of Arizona Centennial Hall Saturday August 2, 2008 at 7:00pm. A Musical and Dance Production- showcasing the History and Evolution of Tucson’s Hispanic Musical Heritage. Featuring: Special Guest Jose Hernandez and Mariachi Sol de Mexico, IMAS,Hermanos Perez Trio, Olga Flores, Viva Orchestra under the direction of Jesse Tovar, the Viva Arizona Dancers and much more. Tickets available at the UA Centennial Hall Box Office 1020 E. University Blvd. (520) 621-3341 For more information you can visit www.vivaazworkshops.com
The American Folklife Center (AFC) at the Library of Congress announces a new pilot program that will train members of indigenous communities to document their own cultural traditions, archive this heritage for future generations, and undertake the task of protecting their intellectual property rights to these recordings and the traditions they document. The project is a collaboration among the AFC, the Center for Documentary Studies (CDS) at Duke University in North Carolina, and the World Intellectual Property Organization (WIPO) based in Geneva, Switzerland. http://www.loc.gov/today/pr/2008/08-095.html
deadline September 30
Open to all artists living in Arizona, California Colorado, Nevada, New Mexico and Utah. For the exhibition of the Art of Democracy posters we will be show original print posters, e.g. screen prints or other traditional printmaking. Submit unframed and the Union Gallery will mount in a uniform way. These posters will not be returned. and/or for the Political Art original prints is the primary focus, but we will also accept a variety of work in different media as well. For artists exhibiting original work (who will want it returned) we will need to have an exhibition application. Download it here or at the website.
http://www.union.arizona.edu/csil/gallery/exhibiting.php deadline September 30. Artists who would like to submit are encouraged to contact Holly Brown at brownhb@email.arizona.edu or at the gallery, 520-621-6142.
a national women’s art exhibition – deadline August 1
Sponsored by the Oakland Community College Womencenter, Farmington Hills, Mi., From Our Perspective is accepting digital entries, with a deadline of August 1st. This juried exhibit will feature women artists and will include two- and three-dimensional works of art. The Juror, Susan Goethel Cambell, lives and works in Detroit, Mi. and has work in many public and private collections, including the National Museum of Women in the Arts, The New York Public Library, The Detroit Institute of Arts, The Toledo Museum of Art and The University of Michigan Special Collections Library. Fee: $25 for up to 3 works. Awards: Best of Show $800.00, President’s Award $250.00 and a Purchase Prize of $250.00 (for smaller pieces). To view full prospectus, and to upload images online, go to www.oaklandcc.edu/womencenter/artshow.htm. Exhibit runs Sept. 18-Oct. 10 2008. Please contact Arlene Frank with any questions at womenart@oaklandcc.edu
Yesterday I started working on the next two "name" collages. After I had the names printed in black ink on white paper, I realized that I didn't have any other black & white papers to include in the collages. Into the paint studio I went and painted some white papers with black paint. Above is a scan of four of the designs that I painted. I will only use one, or possibly two, of these in the collages I am currently working on, but the rest will go into my paper stash for future collages.